A standout feature of this specific remix is its heavy, rolling bassline, which critics note borrows the iconic feel of KC Flightt’s "Let’s Get Jazzy".

The track is a cover of the Stevie Wonder classic, originally appearing on the duo's 1999 album, The Many Shades of Mateo & Matos .

While the original version features a full vocal delivery from Littleton Brown and Kim Armstrong , the Underground Mix strips these back to their essence, using them as rhythmic textures rather than a traditional song structure.

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