Bhajans for Sathya Sai Baba

Indian devotional songs in western music notation

What Bhajans can you find here
This website is dedicated to Bhajans sung in the presence of Sathya Sai Baba in His ashrams in South India and in Sai centres around the world.

What's unique about this website
On this website you can learn the Bhajans by the means of audio & music notation & translation on one page per Bhajan.

How do Indian Bhajans come to Switzerland
Some Swiss Sai devotees and musicians dedicate themselves to singing, playing and teaching these Bhajans. For this purpose they have edited books with the transcription from original Indian audio sources of 3 x 108 Bhajans (324 Bhajans) in western music notation.

Why do we sing Bhajans
In 1968 Sathya Sai Baba said: "Sing aloud the glory of God and charge the atmosphere with divine adoration; the clouds will pour the sanctity through rain on the fields; the crops will feed on it and purify and fortify the food; the food will induce divine urges in man. This is the chain of progress. This is the reason why I insist on group singing of the names of the Lord."

Screwed_but_bambi_is_very_pissed_vs_bambi_fantrack (2027)

"YOU THINK YOUR FANTASY BEATS CAN HOLD ME?" Screwed Bambi roared in a voice that sounded like a dying graphics card.

But the Fantrack had one final trick. It wasn't just one song—it was a medley. It shifted styles, mimicking the complexity of Applecore and the speed of Thearchy . The notes became a physical wall of color. The Resolution

When the screen cleared, both were gone. Only a single, golden ear of corn remained in the center of the stage, vibrating slightly to the echo of a rhythm that had finally surpassed the limits of the game. The battle ended in a stalemate: Screwed Bambi was too angry to lose, and the Fantrack was too complex to be conquered.

The stage was a distorted cornfield, pulsing in neon greens and static grays. Screwed Bambi didn't wait for the countdown. He let out a distorted, high-pitched screech that sent a wave of "distraction" notes across the screen. He wasn't just singing; he was trying to delete the opponent's health bar through sheer volume.

"YOU THINK YOUR FANTASY BEATS CAN HOLD ME?" Screwed Bambi roared in a voice that sounded like a dying graphics card.

But the Fantrack had one final trick. It wasn't just one song—it was a medley. It shifted styles, mimicking the complexity of Applecore and the speed of Thearchy . The notes became a physical wall of color. The Resolution

When the screen cleared, both were gone. Only a single, golden ear of corn remained in the center of the stage, vibrating slightly to the echo of a rhythm that had finally surpassed the limits of the game. The battle ended in a stalemate: Screwed Bambi was too angry to lose, and the Fantrack was too complex to be conquered.

The stage was a distorted cornfield, pulsing in neon greens and static grays. Screwed Bambi didn't wait for the countdown. He let out a distorted, high-pitched screech that sent a wave of "distraction" notes across the screen. He wasn't just singing; he was trying to delete the opponent's health bar through sheer volume.

Team of authors

If you have questions or feedback about our project "Bhajans for Sathya Sai Baba", please don't hesitate to .

screwed_but_bambi_is_very_pissed_vs_bambi_fantrack

Martin Lienhard

Physicist, viola & sitar
Langenbruck, Switzerland
music transcriptions, project coordination first book

screwed_but_bambi_is_very_pissed_vs_bambi_fantrack

Social worker, flute & bansuri
Luzern, Switzerland
music transcriptions, project coordination second book

screwed_but_bambi_is_very_pissed_vs_bambi_fantrack

Reto Küng

Artist, sax & tabla
Basel, Switzerland
music transcriptions third book, translations, webmaster

screwed_but_bambi_is_very_pissed_vs_bambi_fantrack

Homeopath, harmonium
Langenbruck, Switzerland
supporter of the project, critical tester of the notations