Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar pieces, in midi format, for one and more guitars: actually 5641 MIDI files from 96 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.
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Codreanu adopts a smooth, accessible vocal style rather than the harsh, gutteral, or high-pitched horit (traditional crying-singing style) native to the Oaș and Maramureș regions. 📊 3. Comparative Structural Analysis Traditional Maramureș Folklore Puiu Codreanu's Adaptation Instrumentation Violin, Zongora (percussive guitar), Flute Synthesizers, Electric Accordion, Digital Drums Pacing Irregular, highly syncopated, raw Symmetrical, 4/4 dance beat for modern events Primary Function Ritualistic storytelling, community gathering Commercial entertainment, wedding playlists Vocal Style Nodular singing, high tension ( Horea ) Smooth, clear, melodic party-folk style 💡 4. Conclusion: The Commodification of Folklore
In ancestral Maramureș, oxen were the primary driving force of survival, pulling plows and heavy timber. The "yoke" ( jug ) is a symbol of hard labor, burden, fate, and societal or marital constraints.
Puiu Codreanu’s version serves as an excellent case study in how ancient regional folklore is kept alive through commodification. By taking a strictly local Maramureș agrarian motif and polishing it with modern production values, the song bridges the gap between rural elderly populations who recognize the ancestral lyrics and younger generations who want an upbeat tempo to dance to at modern social events.
The acoustic, raw drive of traditional Maramureș instruments is replaced or augmented by electronic keyboards, synthesized accordion lines, and a steady, programmed drum beat suitable for modern weddings and parties.
Classic versions of this song have been preserved by iconic traditional folkloric artists such as Frații Petreuș on Spotify and Anghelina Timiș Lung .
For oxen to break a heavy wooden yoke into three pieces implies an overwhelming, uncontrollable surge of natural strength or chaotic energy.
🌍 2. The Traditional Maramureș Identity vs. Modern Ethno-Folk
In the context of Romanian folklore, this phrase is often used as a hyperbole to describe a party or a dance so energetic, wild, and spirited that even the heavy tools of daily labor are shattered by the sheer force of life and celebration.
Composers are grouped in 6 pages: A-B;
C-F;
G-L;
M-O;
P-R; S-Z .
J.-S.
Bach , A.
Barrios Mangore , N. Coste
, M. Giuliani , F.
Sor and F.
Tarrega are on their own page
Click here
to listen to 20 great MIDI from the site
Composers in alphabetical order
Codreanu adopts a smooth, accessible vocal style rather than the harsh, gutteral, or high-pitched horit (traditional crying-singing style) native to the Oaș and Maramureș regions. 📊 3. Comparative Structural Analysis Traditional Maramureș Folklore Puiu Codreanu's Adaptation Instrumentation Violin, Zongora (percussive guitar), Flute Synthesizers, Electric Accordion, Digital Drums Pacing Irregular, highly syncopated, raw Symmetrical, 4/4 dance beat for modern events Primary Function Ritualistic storytelling, community gathering Commercial entertainment, wedding playlists Vocal Style Nodular singing, high tension ( Horea ) Smooth, clear, melodic party-folk style 💡 4. Conclusion: The Commodification of Folklore
In ancestral Maramureș, oxen were the primary driving force of survival, pulling plows and heavy timber. The "yoke" ( jug ) is a symbol of hard labor, burden, fate, and societal or marital constraints.
Puiu Codreanu’s version serves as an excellent case study in how ancient regional folklore is kept alive through commodification. By taking a strictly local Maramureș agrarian motif and polishing it with modern production values, the song bridges the gap between rural elderly populations who recognize the ancestral lyrics and younger generations who want an upbeat tempo to dance to at modern social events. Codreanu adopts a smooth, accessible vocal style rather
The acoustic, raw drive of traditional Maramureș instruments is replaced or augmented by electronic keyboards, synthesized accordion lines, and a steady, programmed drum beat suitable for modern weddings and parties.
Classic versions of this song have been preserved by iconic traditional folkloric artists such as Frații Petreuș on Spotify and Anghelina Timiș Lung . By taking a strictly local Maramureș agrarian motif
For oxen to break a heavy wooden yoke into three pieces implies an overwhelming, uncontrollable surge of natural strength or chaotic energy.
🌍 2. The Traditional Maramureș Identity vs. Modern Ethno-Folk synthesized accordion lines
In the context of Romanian folklore, this phrase is often used as a hyperbole to describe a party or a dance so energetic, wild, and spirited that even the heavy tools of daily labor are shattered by the sheer force of life and celebration.
Note to MIDI sequence contributors
Your submissions are welcomed.
Please send them by e-mail (end of text). Pieces
should bear the composer's name and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne
Op.4 No.2.). The submissions
should bear information on the transcriber or arranger when available. The submitter's name
will appear beside the accepted submission.
This site exists primarily to showcase pieces written for the classical
guitar. Established and recognized transcriptions and arrangements (e.g.,
Tarrega, Segovia,..) of pieces written by non-guitar composers will also be given
high priority.
New compositions for the classical guitar are also welcomed. New
compositions that meet quality guidelines will be added to the site. For
new contributors, it would be appreciated if you would also submit several
pieces by known composers in addition to your own compositions. This will
help to expand the repertoire of established works for the classical guitar in
addition to expanding the repertoire of new music.
Last update: March 8 2026
Copyright Franois Faucher 1998-2025
G.F.Handel's Sonata 2. Allegro
3.Adagio HWV368