Phenomenology Of The Visual | Arts (even The Frame)

: The frame acts as a boundary that distinguishes the "inside" of the artwork from the "outside" world. It can function simultaneously as an artistic element that integrates the work and as a "defense" against the exterior world.

: This concept, developed by Paul Crowther in his work Phenomenology of the Visual Arts (even the frame) , refers to the set of perceptual factors that inform our basic cognition of the world, which visual art uniquely captures and aligns. The Phenomenology of the Frame Phenomenology of the visual arts (even the frame)

: Edward S. Casey describes edges and frames not as literal limits where activity stops, but as structures that "shelter and support" the image, opening up possibilities for it to emerge. : The frame acts as a boundary that

: The presence of a frame can express a subtle "self-awareness" of the artwork's own existence as a created object rather than a direct window into reality. The Phenomenology of the Frame : Edward S