Lo Mio Inferno (1972) B... | Metti Lo Diavolo Tuo Ne

The film follows the misadventures of a group of colorful characters in a vaguely medieval setting. The central thread involves a young man attempting to navigate the lusty pitfalls of his village, eventually crossing paths with a beautiful woman and a series of increasingly absurd religious and romantic obstacles.

The film doesn't aim for high art; it aims for a wink and a laugh. With its jaunty score and vibrant cinematography, it remains a quintessential example of the "B-movie" energy that defined 70s Italian exploitation cinema.

Saints, Sinners, and Slapstick: A Look Back at "Metti lo diavolo tuo ne lo mio inferno" Metti lo diavolo tuo ne lo mio inferno (1972) B...

A mix of slapstick humor, satirical jabs at the clergy, and a celebratory, guilt-free approach to sexuality.

For fans of retro cult cinema, this film is a vibrant time capsule. It’s a reminder of an era when the "devil" was less about horror and more about the playful, mischievous side of human nature. The film follows the misadventures of a group

Muddy villages, stone monasteries, and sun-drenched haystacks.

The title itself is a play on a famous story from Boccaccio’s The Decameron , involving a monk "teaching" a young girl how to "put the devil back into hell"—a thinly veiled (and very popular) euphemism of the era. The Decamerotic Formula With its jaunty score and vibrant cinematography, it

If you wandered into an Italian cinema in the early 1970s, you likely would have found a screen filled with monks, mischievous maidens, and more double entendres than a Shakespearean comedy. At the heart of this "Decamerotic" craze was Bitto Albertini’s 1972 romp, Metti lo diavolo tuo ne lo mio inferno . The Plot: A Comedy of Errors