Lana saw herself in those lyrics. Throughout her career, she had been cast as the "other," the "sad girl," and the siren. As the band began to play a slow, bluesy arrangement, Lana stood before the microphone. She didn’t want the song to sound like a polished pop hit. She wanted it to sound like a dusty vinyl record found in the attic of a forgotten Hollywood mansion.
The air in the Electric Lady Studios in New York was thick with the scent of old velvet and clove cigarettes. It was late 2013, and Lana Del Rey was deep in the creation of Ultraviolence . She had moved away from the hip-hop beats of Born to Die , seeking something darker, grittier, and more timeless. Lana saw herself in those lyrics
The title you mentioned refers to Lana Del Rey’s haunting cover of a song originally made famous by jazz legend Nina Simone. The track serves as the closing statement on Lana’s 2014 masterpiece, Ultraviolence . She didn’t want the song to sound like a polished pop hit