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: Originally written in 1926 for cellist May Mukle, these pieces are "wonderfully fluent, melodically and harmonically delicious". They demonstrate a "fine balance between similarity and difference," taking simple tunes and elevating them through varied tempos and keys.

The delivers these works with a refined, "patrician musicianship" that captures the composer's "deep expressive connection" to his source material. Critics often note the "instantly appealing" nature of these recordings, which serve both to instruct the listener on English musical heritage and to provide thorough enjoyment. Community Perspective : Originally written in 1926 for cellist May

“The tunes... have a definite melodic and rhythmic affinity... he creates a delightful sense of fine balance between similarity and difference.” Facebook · The Listening Room · 3 years ago Critics often note the "instantly appealing" nature of

: This work is a tribute to Elizabethan consort music, sharing the same "nobility and passion" found in the more famous Tallis Fantasia . It was a commission from W.W. Cobbett, a millionaire who championed the British "phantasy" form. he creates a delightful sense of fine balance

“The CD opens with Romance and Pastorale... these pieces stand as a significant prelude to... The Lark Ascending.” Facebook · The Listening Room · 3 years ago Vaughan Williams - Notes on Chamber Works - Classical Net