: A stage play inspired by Slavic folklore. The track "Ghosts" was recorded in a small Finnish pine house to capture warm, natural acoustics, though it was ultimately not used in the production. A Musical Mirror
Rani describes this album as a space for pieces that either made the final cut or were rejected by directors. It features work from:
: Four tracks that lean into the heavier, more reflective emotions of a film about a girl traveling to Ireland to claim her father's body.
The story of Hania Rani’s Music for Film and Theatre is one of "precious objects" long hidden in drawers, finally brought into the light. Released in 2021 on Gondwana Records , this collection rescues music that often exists only as a fleeting accompaniment to visuals or remains unheard when projects fall through.
: Three tracks, including "Prayer" and "In Between," which capture a meditative, spiritual atmosphere.
It is the nature of these collaborations though, that sometimes the composers own preferred compositions don't make the final cut. Hania Rani ~ Music for Film and Theatre - A Closer Listen
: A stage play inspired by Slavic folklore. The track "Ghosts" was recorded in a small Finnish pine house to capture warm, natural acoustics, though it was ultimately not used in the production. A Musical Mirror
Rani describes this album as a space for pieces that either made the final cut or were rejected by directors. It features work from:
: Four tracks that lean into the heavier, more reflective emotions of a film about a girl traveling to Ireland to claim her father's body.
The story of Hania Rani’s Music for Film and Theatre is one of "precious objects" long hidden in drawers, finally brought into the light. Released in 2021 on Gondwana Records , this collection rescues music that often exists only as a fleeting accompaniment to visuals or remains unheard when projects fall through.
: Three tracks, including "Prayer" and "In Between," which capture a meditative, spiritual atmosphere.
It is the nature of these collaborations though, that sometimes the composers own preferred compositions don't make the final cut. Hania Rani ~ Music for Film and Theatre - A Closer Listen
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