Nobita’s group travels to Poko’s home world, only to find it under the rule of Empress Jeanne .

Influenced by her advisor Dester , the Empress has issued a "Robot Remodelling Order" to remove emotions from all robots, viewing them as mere tools.

Represents the bridge between species; his desire to save his mother, Maria , provides the emotional core of the mission.

The story begins when Nobita accidentally orders various robots from the future, leading to the discovery of , a mysterious robot boy from another planet.

Released on March 9, 2002, this film marks a significant entry in the "Long Stories" series, transitioning from simple adventure to socio-political commentary. By placing the familiar characters in a "Robot Kingdom," the story highlights the contrast between Earth’s simple gadgets and a civilization where technology has achieved sentient social structures.

Their bond serves as a living example of a healthy human-robot relationship, contrasting the Empress's oppressive views.

This paper explores the 2002 film , the 23rd feature film in the Doraemon franchise. It analyzes the narrative structure, core themes of artificial intelligence and emotional autonomy, and the film's enduring message regarding human-technology relationships. Abstract

The true villain, driven by a desire for power and a belief that empathy is a weakness.