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Pasolini uses the extreme depravity of the four "Libertines" (The Duke, The Bishop, The Magistrate, and The President) to represent the absolute corruption of the ruling class.

Despite its repulsive subject matter, critics often praise the film for its rigid, formal beauty and intellectual depth. _cb01_gold_Sal_o_le_120_giornate_di_Sodoma_1975

Today, Salò is frequently cited in lists of the most significant films ever made, often appearing in the and academic curricula. Pasolini uses the extreme depravity of the four

Ennio Guarnieri used a flat, detached visual style to force the audience to confront the atrocities without cinematic "glamour." formal beauty and intellectual depth. Today